I'll start off by saying that I believe Richard Linklater is a goddamn genius. I need to see more of his films. So far, of the ones I have seen, not one of them has failed to amaze and touch me. This one was no exception. It fact, it brought me to tears, not once, but twice: first during a scene near the end of the movie, and again later after I had left the theatre as I reflected on the story I had just beheld.

For those who are reading this as a review... If you haven't seen Before Sunrise, see it first. This is critical because Before Sunset is the sequel. Though this movie does contain a couple of nice passing references to Waking Life as well (specifically, the scene in which Ethan Hawke and Julie Deply appear of course), seeing it is not crucial to appreciating this film. (Though I still strongly recommend Waking Life on its own terms. Most people who know me can attest to the fact that I recommend Waking Life early, and I recommend it often. Maybe too often.)

Before Sunset picks up 9 years after Jesse (Ethan Hawke) and Celine (Julie Deply) parted ways at the train station in Venice. Perhaps by chance, perhaps intentionally, they meet again, this time in Celine's hometown of Paris. Just as it was in Before Sunrise, the entire film consists of following their conversations as they wander around the town for a few hours.

This is where the skills of the two principle actors are put to the test, and of course, they shine again. They make the material come alive.

As they talk, we gradually learn about how their lives have gone during the intervening years. Both have matured, found paths in life, become wiser, and also perhaps more cynical, while still doing everything they could to be true to their hearts.

What more can really be said?

In a way, this movie is absolutely heartbreaking. At the same time, it is very uplifting. The fodder of the dialog is an absolute delight for anyone who enjoys thinking about philosophy, social issues, world politics, and, of course, romance. It is also very down to earth and human. It's genuine, in a way that's deeper than the majority of cinema (and life in general) tends to be.

The ending, such as it is, is bound to get a reaction out of everyone. (Gasps were widespread in the audience I was in.) I had to think about it for a few minutes before deciding that I think the final second just before end credits was the most brilliant moment in the entire film. Even though each scene is worthwhile on its own terms, the very last bit lends everything that preceded it a new credence. It tells us, more than anything else, the real growth these characters have experienced.

Bravo!