Wild at Heart
Seen: 2002-03-03
Overall: ***
Writing: ** 1/2
Acting: ** 1/2
Cinematography: *** 1/2
Effects: ***
Music: *** 1/2
Art: ***
Direction: ***
Originality: ***
Enjoyment: ** 1/2
Conditions: ** 1/2
Venue: Bitscape's Castle Lair
Medium: Cable television
More Info
This is the first David Lynch film I've seen where the
story actually makes sense in a concrete, tangible way
from beginning to end. Well, mostly. Of course, it's
still his trademark, whacked out style of cinema.
Nicholas Cage and Laura Dern are the stars. Despite being big
name actors, I didn't find either of their performances to be all
that engaging, but Willem Dafoe nearly steals the show
toward the end. That shot of his face in the bank
could give anyone shivers.
This one is on the graphically bloody side, and tends toward the
depressing, sort of. Actually, after that ending, I'm
not sure what to think.
I've noticed more what others have said: one aspect
(among others) that gives David Lynch movies that trademark
signature is the music. Always in the background, a
tune, maybe some strings playing extremely softly, or sometimes
just a chord or two held interminably throughout a scene
to set the mood. When there's silence, it's for a
reason. And when the music really comes into the
foreground, you feel it like a tidal wave.
Hmmm, that might also be in part due to the work of Angelo
Badalamenti, as a quick imdb check reveals that
he's teamed up with Lynch to compose a good number of
scores.
Mark this film as one in the potentially
nightmare-inducing category. Nothing much more to say
of it right now.
This is the first David Lynch film I've seen where the story actually makes sense in a concrete, tangible way from beginning to end. Well, mostly. Of course, it's still his trademark, whacked out style of cinema.
Nicholas Cage and Laura Dern are the stars. Despite being big name actors, I didn't find either of their performances to be all that engaging, but Willem Dafoe nearly steals the show toward the end. That shot of his face in the bank could give anyone shivers.
This one is on the graphically bloody side, and tends toward the depressing, sort of. Actually, after that ending, I'm not sure what to think.
I've noticed more what others have said: one aspect (among others) that gives David Lynch movies that trademark signature is the music. Always in the background, a tune, maybe some strings playing extremely softly, or sometimes just a chord or two held interminably throughout a scene to set the mood. When there's silence, it's for a reason. And when the music really comes into the foreground, you feel it like a tidal wave.
Hmmm, that might also be in part due to the work of Angelo Badalamenti, as a quick imdb check reveals that he's teamed up with Lynch to compose a good number of scores.
Mark this film as one in the potentially nightmare-inducing category. Nothing much more to say of it right now.