A resurgence of NIN mania?
Started: Thursday, January 24, 2002 22:04
Finished: Thursday, January 24, 2002 23:40
Anyway, I the NIN disc into the player again tonight, thinking I would watch a few tracks, but it was so entrancing, I ended up watching the whole concert again. Amazing, powerful stuff.
This DVD has definitely rekindled my appreciation for the music of nine inch nails. I hadn't been listening to as much NIN in recent times. (The reason being that no matter how good something is, it's impossible to focus on all the good things in the world all the time.) But today, I was going back and listening to the familiar tracks off the cds they've put out over the years. Brilliant stuff all over again. Each album has a different flavor and texture, but it's all got Trent's trademark style. Perhaps we should declare this NIN appreciation week! (I even thought about putting this back on my cover page, but I still like my current one too much to do that.)
And now we have the discovery of the secret undocumented extra dvd stuff. A performance of Reptile -- way cool. A video of The Day the World Went Away (audio recorded live, but with other imagery). Several tv commercials which make you do a double take to check if your hardware is getting fried (Trent has a history of such pranks). Good stuff.
Finally, the last undocumented egg features a cameo appearence by The Reverend himself! The audio for that last bit isn't near the quality of the rest of the concert. It sounds like a bootleg tape, but it's great fun anyway. A few moments where two of the Great Figures of Modern Music share a stage together. (I suppose that does depend on what the definition of "Great Figure of Modern Music" happens to be. I'll neglect to specify this definition for the moment, and just say "It's true!")
:)
...And I'm glad to see I'm not the only one who has been inspired to dig out those old nails discs for another listen after seeing this show.
[Bitscape does just that presently.]
Take, for example, the song Ruiner, from The Downward Spiral.
Didn't you? Didn't you?
You believed in all your lies
Didn't you? Didn't you?
The ruiner's got a lot to prove
He's got nothing to lose
And now he made you believe
The ruiner's your only friend
he's the living end to the cattle he decieves
The raping of the innocent
You know the ruiner ruins everything he sees
Now the only pure thing left in my fucking world
is wearing your disease
How'd you get so big?
How'd you get so strong?
How'd you get so hard?
How'd it get so long?
I could go on and post the rest of the lyrics, but... I suspect excessive text lyrics without might start to to bore people. Maybe they already have. Oh well. So be it.
Um, what was I going to say? ... Oh yes, it's that the lyrics are NOT the clincher that makes that song so powerful. So of course, me simply posting the words conveys nothing of what I am trying to talk about. lol. It's really the sound that really gets the message across.
Because anyway, most of the ranting during the verses (I only posted the first verse) get lost under the noise, to the point that even after having listened to the song hundreds of times, I wouldn't be able to tell what half the words are unless I look at the lyric book. But they are there. And the fact that they are so muddled to the point of being lost in the den of noise only furthers the point: That the speaker has lost his power amidst the overwhelming currents surrounding him.
Then the chorus comes on. A monolithic wall of sound, consuming and trampling everything in its path. I remember the first time I heard this song, on the night I bought The Downward Spiral cd in 1994. The sound evoked in my mind a marching metal giant machine the size of a mountain, rolling across the land. Flattening. Impervious. Unbreakable and unstoppable.
How'd you get so strong?
How'd it get so hard?
How'd it get so long?
And what you gave to me
My perfect ring of scars
You know I can see what you really are
Then, after the second verse, there is a momentary respite from the machine, and quite pseudo-guitar solo and muffled synths, during which there might be some recovery. But no sooner has there been time to catch our breath, when with a single harsh beat, the monster returns at full force.
Nothing can hurt me
You didn't hurt me
Nothing can stop me now
The chant continues, and the machine marches on. But now, the narrator is the machine, having assumed its full armor and unwavering hardness, reflected both in the lyrics and the way the music drives it on at full intensity.
As far as the story of the album goes, this leads us right into track 7, "the becoming", in which this assimilated state is described in greater detail.
(brace for boredom)
it's a part of me
it's inside of me
i'm stuck in this dream
it's changing me
i am becoming
the me that you know
he had some second thoughts
he's covered with scabs
he is broken and sore
the me that you know
he doesn't come around much
that part of me isn't here anymore
all pain disappears
it's the nature of, of my circutry
drowns out all I hear
no escape from this
my new consciousness
the me that you know
he used to have feelings
but the blood has stopped puming
and he is left to decay
the me that you know is now made up of wires
and even when i'm right with you
i'm so far away
i can try to get away
but i've stapped myself in
i can try to scratch away
the sound in my ears
i can see it killing away
all of my bad parts
i don't want to listen
but it's all too clear
hiding backwards inside of me
i feel so unafraid
annie hold a little tighter
i might just slip away
won't give up
it wants me dead
and goddamn this noise inside my head
won't give up
it wants me dead
and goddamn this noise inside my head
won't give up
it wants me dead
and goddamn this noise inside my head
won't give up
it wants me dead
and goddamn this noise inside my head
WON'T GIVE UP
IT WANTS ME DEAD
GODDAMN THIS NOISE INSIDE MY HEAD
WON'T GIVE UP
IT WANTS ME DEAD
GODDAMN THIS NOISE INSIDE MY HEAD
WON'T GIVE UP
IT WANTS ME DEAD
GODDAMN THIS NOISE INSIDE MY HEAD
WON'T GIVE UP
IT WANTS ME DEAD
GODDAMN THIS NOISE INSIDE MY HEAD
Although the music does much to augment it, the lyrics in that part basicly tell the story.
Hmmm... I seem to have gone on and on with this one. I should do it more often. :)
Imagine the scenario... all the now fully grown NIN fanboys of ages past coming out of the woodwork upon the release of the new ultra-spiffy concert dvd. Oh wait. I don't have to imagine. It's happening. In my own living room.
Blah. I'm going to bed. Nice dark music for the brain to suck on. Goodnight.