Pitch Black
Seen: 2001-01-13
Overall: ***
Writing: ***
Acting: *** 1/2
Cinematography: *** 1/2
Effects: *** 1/2
Music: ***
Art: ***
Direction: ***
Enjoyment: ***
Conditions: *** 1/2
Venue: Louisville Compound: Bitscape's Lair
Medium: DVD
More Info
Note: I am writing this entry before having
really delved into the bonus features or DVD commentary
tracks.
This movie grew on me as it progressed. Started out
seeming a bit disjointed and uncertain of purpose. (Huh?
There's supposed to be a purpose?) "And just how impressed
are we supposed to be that the director knows how to
make excessive use of tinted lenses?"
But I stuck with it, and was glad I did so. Just sit
back, enjoy the journey, and trust that the film makers
knew what they were doing. Hah.
A ship crash lands while on a cryogenically frozen
passenger transporting journey, the details of which
I was never quite clear on, but ultimately, that doesn't
never end up mattering much to the plot anyway. The
point is that these people are stuck on a crazy desert
planet with three suns. And they've gotta find a way
off.
The photography effects of the sky were pretty cool.
Like I was saying above, the "blue sun" lens
seemed a little distracting initially, but in the long
term, I think it worked well for contast. Or some kind
of mood setting psychedelic experience. Yeah, that's
it.
Um, I'm not making much sense now, am I?
Well, like the majority of good movies, the real
strength of this one came from the development of its
main characters. Vin Diesel as Riddick, a convicted
killer, who's really got the psycho vibe going. Radha
Mitchell as Fry (Sure sounds like Futurama, but it
ain't; and yes, I'm just reading these off the cast list),
the captain of the ship. Her character proved to be
interesting too.
If there's one thing we learn from this movie: Ya
don't know who the real villian will be just by watching
the first five minutes. The story kept me guessing all
the way through to the end. And yes, there was a
story. A pretty good one. Some cool visuals too.
Ick, this movielog entry is horridly random. Too much
like ramblings. Maybe that's all it is anyway. In
that case.... total irrelevant tangent ahead...
I was wandering around in the Video Station earlier
this evening, trying to decide what I wanted to watch.
I was thinking about getting Any Given Sunday, just
because it was an Oliver Stone film. He may be a goof
who plays fast and loose with history, but he does
know how to make a film with pizzazz. I wasn't quite
in the mood for that though. Then, I saw Pitch Black.
I had actually thought about buying it last week at
Best Buy, but I had decided against purchasing a movie
sight unseen. Now was the time to watch it. I had my
rental pick.
As I was waiting in line, I overheard the guy in front
of me talking to the girl behind the counter about this
very movie. About how the DVD unrated director's cut had
scenes that weren't in the theatrical version, and how
the commentary tracks told all about it. A really good
film.
When my turn to step up to the counter, and I said,
"Pitch Black directory's cut please."
She grinned, and was like, "Gooood choice." I think she
thought I had just decided to get it after hearing that
conversation, when in fact I had made my choice prior
to getting in line. This was just a happy coincidence.
I wasn't even going to try to argue and convince
her that I intended to rent this film before getting in
line. Too ridiculous.
So anyway, after handing me my film, a box behind the
counter caught her attention. A Chow Yun Fat film (I
didn't see the title clearly) with a new release sticker.
Muttered something about not having heard of this movie
yet (as if the existence of a movie she wasn't familiar with was a
highly unusual occurence). Studied the box for a
minute, and then proceeded to ring me up, and punched
my movie viewer's card.
Do I have a point in all this? Is there some deeper
meaning which underlies the anecdote here? A reason it is
being told? Only this, if I may summarize: Film
chicks are cool! (And yes, the words "out of my
league" are most certainly a part of my vocabulary.)
thank you.
Um, this is a movielog entery, right?
Pitch Black. Watching the Unrated Director's Cut, I
have to wonder... Was the theatrical release really cut
in the first place because the MPAA had some stick up their
ass about one scene or another? If so, I can't imaging
what that was. I mean, there were only lots of scenes with people being
dismembered and having their flesh eaten alive as they
screamed their last breaths. That's just standard nightly
prime time fare, right?
[You know it's a bad sign when two consecutive paragraphs
end with the word "right" followed by a
question mark. The only thing worse is when you see
that every sentence you have written in the past five
minutes begins with the word "well" followed
by a comma.]
Well, this movielog entry is obviously deteriorating
rapidly. Or should I say, has deteriorated
rapidly. I will now take my leave of this console and
return to the bed. It's about time.
Note: I am writing this entry before having really delved into the bonus features or DVD commentary tracks.
This movie grew on me as it progressed. Started out seeming a bit disjointed and uncertain of purpose. (Huh? There's supposed to be a purpose?) "And just how impressed are we supposed to be that the director knows how to make excessive use of tinted lenses?"
But I stuck with it, and was glad I did so. Just sit back, enjoy the journey, and trust that the film makers knew what they were doing. Hah.
A ship crash lands while on a cryogenically frozen passenger transporting journey, the details of which I was never quite clear on, but ultimately, that doesn't never end up mattering much to the plot anyway. The point is that these people are stuck on a crazy desert planet with three suns. And they've gotta find a way off.
The photography effects of the sky were pretty cool. Like I was saying above, the "blue sun" lens seemed a little distracting initially, but in the long term, I think it worked well for contast. Or some kind of mood setting psychedelic experience. Yeah, that's it.
Um, I'm not making much sense now, am I?
Well, like the majority of good movies, the real strength of this one came from the development of its main characters. Vin Diesel as Riddick, a convicted killer, who's really got the psycho vibe going. Radha Mitchell as Fry (Sure sounds like Futurama, but it ain't; and yes, I'm just reading these off the cast list), the captain of the ship. Her character proved to be interesting too.
If there's one thing we learn from this movie: Ya don't know who the real villian will be just by watching the first five minutes. The story kept me guessing all the way through to the end. And yes, there was a story. A pretty good one. Some cool visuals too.
Ick, this movielog entry is horridly random. Too much like ramblings. Maybe that's all it is anyway. In that case.... total irrelevant tangent ahead...
I was wandering around in the Video Station earlier this evening, trying to decide what I wanted to watch. I was thinking about getting Any Given Sunday, just because it was an Oliver Stone film. He may be a goof who plays fast and loose with history, but he does know how to make a film with pizzazz. I wasn't quite in the mood for that though. Then, I saw Pitch Black. I had actually thought about buying it last week at Best Buy, but I had decided against purchasing a movie sight unseen. Now was the time to watch it. I had my rental pick.
As I was waiting in line, I overheard the guy in front of me talking to the girl behind the counter about this very movie. About how the DVD unrated director's cut had scenes that weren't in the theatrical version, and how the commentary tracks told all about it. A really good film.
When my turn to step up to the counter, and I said, "Pitch Black directory's cut please."
She grinned, and was like, "Gooood choice." I think she thought I had just decided to get it after hearing that conversation, when in fact I had made my choice prior to getting in line. This was just a happy coincidence. I wasn't even going to try to argue and convince her that I intended to rent this film before getting in line. Too ridiculous.
So anyway, after handing me my film, a box behind the counter caught her attention. A Chow Yun Fat film (I didn't see the title clearly) with a new release sticker. Muttered something about not having heard of this movie yet (as if the existence of a movie she wasn't familiar with was a highly unusual occurence). Studied the box for a minute, and then proceeded to ring me up, and punched my movie viewer's card.
Do I have a point in all this? Is there some deeper meaning which underlies the anecdote here? A reason it is being told? Only this, if I may summarize: Film chicks are cool! (And yes, the words "out of my league" are most certainly a part of my vocabulary.) thank you.
Um, this is a movielog entery, right?
Pitch Black. Watching the Unrated Director's Cut, I have to wonder... Was the theatrical release really cut in the first place because the MPAA had some stick up their ass about one scene or another? If so, I can't imaging what that was. I mean, there were only lots of scenes with people being dismembered and having their flesh eaten alive as they screamed their last breaths. That's just standard nightly prime time fare, right?
[You know it's a bad sign when two consecutive paragraphs end with the word "right" followed by a question mark. The only thing worse is when you see that every sentence you have written in the past five minutes begins with the word "well" followed by a comma.]
Well, this movielog entry is obviously deteriorating rapidly. Or should I say, has deteriorated rapidly. I will now take my leave of this console and return to the bed. It's about time.